Metropolis ark 1 free download
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By being able to select one of four mic positions when using the samples on Albion One, the user can create a variety of effects to suit their needs. Albion One contains more than 45,000 samples from a 109-piece orchestra recorded at the critically acclaimed Hall at AIR studies, renowned for its outstanding acoustics.įeaturing high-quality dynamics and being flexible enough to adapt to any genre, Albion One has a sizable range of articulations, allowing the user better control of the completed product.
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While it requires a substantial amount of disk space to download, the user has access to a comprehensive music sample library that can bring life to any movie soundtrack, genre of song and more. Spitfire’s Albion One comes with a Kontakt player included and is compatible with Native Instruments hardware, and in our opinion is one of the best orchestral VST plug-ins available due it’s simple overall sound quality and amount of power we get here. The Best Orchestral Instrument Plugins Spitfire Albion 1 There are quite a few gems out there in the orchestral VST world, so let’s get down to it below.
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We’ll be honest however, a lot of these are some of the more expensive types of VST instruments, considering a few in here are made for literal professional cinema soundtrack composers. In our opinion this is a VST instrument that really transcends types of music and can fit into the mold of any mood, feel or direction you’re going. That part is probably the most overlooked part of the library and they are quite good.Whether you’re an actual composer or merely a musician who wants to extend their pallet of sounds, regardless of genre, grabbing a few of the best orchestral VST and having them in your back pocket can never do you wrong. One other thing I should mention is there are meat and potato articulations in OSR so OSR can cover almost all your string needs on certain pieces. The simple trick of course to get it to sit with your other libs is a matching verb. It can sound very realistic as it is phrase fragments can really work. I'm surprise no one else has come up with a competing library. There are many run fragments that you can assemble to make larger runs or use the fragments as a their own figure.
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do you need to tinker with reverb etc just to get it sounding good with their own products too? I have all the Arks and Berlin series *except* strings, would this fit decently along with the strings from Ark?Īctually you are correct it was not recorded at Teldex, it has a different sonic footprint from other OT libraries as well.Īs Guy mentions the difference is the run builder, we are not talking just scale like runs up and down though they have that too. I understand that OSR was not recorded in Teldex like their other libraries anyway. There is no tool like OSR, that I have found, the question is whether you will find a way to have it match sonically in your template since you have no other Orchestral Tool libraries. I don't feel an urge to buy them, but they do sound gorgeous.
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I will probably spend some time listening to demos of the Inspires over the next couple of weeks. The Arks, on the other hand, would be useful if I were writing more fantasy or epic stuff, which I am not, at least not at the moment. I think if I did not have the Project Sam libraries Inspire would be an easy purchase.
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Now MA2 and MA3 are almost within reach, as are the Inspires. I listened to demos of the other Arks and the other Symphobias till my ears fell off, and ended up with Project Sam because I think they are a little less pigeon holed - MA is fantastic for epic sounding themes, where Symphobia covers a wider range, at least to me. Once I started working with MA1 I was able to go back and make use of the rest of them.Īt which point I wanted to expand the palette a bit. In fact, I had only Lumina, OE1, and Albion 1 when I tried MA1. I own Albion ONE, all three Symphobias, and yet it was Metropolis Ark 1 that finally unlocked the concept of working with ensembles as opposed to working with instruments or sections.